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free103point9 Newsroom has moved to http://free103point9.wordpress.com/as of March 18, 2010 A blog for radio artists with transmission art news, open calls, microradio news, and discussion of issues about radio art, creative use of radio, and radio technologies. free103point9 announcements are also included here.

Wednesday, August 13, 2008

Evidence CD release


Evidence (Stephan Moore and Scott Smallwood) celebrate the release of their new CD "Receiver" (free103point9 Audio Dispatch 035), created through a residency at Wave Farm, with a re-imagined performance of the original installation. Bring a radio with batteries! A limited number will be provided. Evidence will be joined by the modern dance company The Extra-Sensory Pedestrians, performing a new work, "Boxed Dances."

Description of original project Evidence will attempt to recreate: "Spheres of Influence (working title)" is a performance/installation of both live-performed and pre-recorded sounds being broadcast through a number of radio transmitters all tuned to identical (or nearly-identical) frequencies. The audience is equipped with radio receivers, and then encouraged to explore the points of “indecision” that exist between the various transmitters. In this way, each audience member participates in the composition/editing of the final piece by performing the interplay between our broadcasted material and the indeterminate artifacts of the transmission/reception process inherent in the installation.

Sound artists Stephan Moore and Scott Smallwood began performing as the duo Evidence in 2001. Focusing on the universe of real-world sound, Evidence pours field recordings like water into their compositional and improvisational process, resulting in music that balances between tight organization and unregulated flow. Using recording equipment, laptops, and other electronic devices, Evidence creates music that deals with gradual change, improvised over time, sometimes atmospheric, sometimes pulsating, always texturally striking and unique. Resisting classification into a single genre, Evidence is equally at home performing in experimental venues, clubs, galleries, planetariums, and rooftops.

Aug. 14, 2008: 8 p.m. – 10 p.m.
at Issue Project Room at the (oa) can factory, 232 Third St., Brooklyn, NY
http://www.issueprojectroom.org
Admission: $10

For more information see:
http://www.free103point9.org/events/1957/

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Saturday, September 22, 2007

Evidence at Wave Farm


From Vonn New:
Last night (Sept. 19, 2007), I was invited to participate in a work-in-progress, "Channel Surfing" by the duo Evidence. Scott Smallwood and Stephan Moore, a/k/a Evidence, were finishing a week-long residency at the Wave Farm, a project of free103point9, transmission arts non-profit group.

This work made use of a series of FM broadcast signals of various low powers, a pile of assorted boom boxes, the 30-acre spread of the Wave Farm, and the natural curiosity and playfulness of about 10 participants.

When I arrived at the Wave Farm on this crisp, star-lit September evening, Stephan handed me an instruction sheet that included this: "Tonight, we are broadcasting sounds on several frequencies, which have been designed to be played simultaneously. Your participation completes the composition, as you mix and manipulate adjacent radio signals using the radio tuning dial, as well as your physical position and proximity to your radio's antenna. Each radio has a different character, and the air itself has a signal topology, which is yours to explore. A wide palate of textures, interferences, and interactions between the existing signals can be created through small adjustments of any of these controls, and we encourage you to experiment with this behavior."

The 85-minute piece gave me ample time to explore two modes of interaction. The first was highly active: fiddling with the tuning dial, playing with the antenna, walking around and exploring the edges of the low-power attenuation of the signals. The interplay of static and overlapping signals made a rich sound field. The second was less active. I tuned my radio to something interesting and set it down and then, using only my ears, wandered around the property listening to the sound field... or I sat still and listened while other participants wandered around me. At one point, Diana Slattery and I walked to the parking lot and tuned in the radio in my van.

Skot and Stephan made many recordings from field recording instruments and from the cassette decks in the boom boxes and will mix and process the materials into a future piece. I'll be sure to post a link when they have something for you to hear.

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