Radio23 Information Services #71

A Step-by-Step Guide to Webcaster Royalties commlawblog

Fourth-generation knockdown! WiMax vs LTE arstechnica

Sirius Streaming Radio Not Working For Some Customers consummerist

Skype, the Web Phone Giant, Brings Cheap Calls to Cellular nytimes

Radio23 Information Services #70

Computer use has replaced radio as the No. 2 media activity. Radio is now No. 3.

iPhone Skype, Android Flash

ThumbTacks™ - recording handheld field interviews - with an iPod

Support Radio: Internet walkie-talkie concept is like audio Twitter

http://www.mudhalfm.com

Radio23 Information Services #69

São Paulo radio station teaches old media new tricks CNN

AT&T, Comcast Onboard With RIAA Anti-Piracy Program Billboard

AT&T first to test RIAA antipiracy plan cnet

AT&T exec: ISP will never terminate service on RIAA's word cnet

Hottest tracks to cost $1.29 at iTunes starting April 7 latimes

Congress considers inventory of spectrum use in America

From Cory Doctorow in Boing Boing:

A new bill before Congress calls on the NTIA and FCC to inventory the spectrum use in America. Previous work on this by the likes of the New America Foundation found that the vast majority of US broadcast spectrum was sitting fallow -- either squatted on by members of the National Association of Broadcasters (who get their spectrum for free but are theoretically required to put programming in it and use it in the public interest) or reserved from allocation to keep from interfering with licensed users (many of whom were not using their spectrum at all).

Three tiny slices of open spectrum, at 900Mhz, 2.5Ghz and 5.7Ghz, have created a massive economic and technological revolution through WiFi and other unlicensed uses of the public airwaves. The potential for new economic and technological gains from more open spectrum is unimaginable. Getting that spectrum into use is damned good policy, and long overdue.

My only concern is that the FCC will look for short-term cash gains by auctioning off all or most of the fallow spectrum for exclusive use, as has been done with 3G licenses. But this short-sighted approach trades the immediate gains from an auction for the perpetual income stream that arises from the commerce and activity that's enabled by open spectrum. Think, for example, of the total economic benefits that the nation and the world have derived from WiFi -- from cards and base-stations to hotspots to all the gains in efficiency and new opportunities created by wireless networking, and compare this to the paltry sums extracted by a few phone companies selling crippled, metered, filtered 3G network access.

The bill, titled the Radio Spectrum Inventory Act, was introduced last week by John Kerry (D-MA), Olympia Snowe (R-ME), Bill Nelson (D-FL), and Roger Wicker (R-MS). It amends part of the Communications Act by adding a requirement for a national survey of what's being broadcast into our radio airwaves. The survey will cover everything from 200MHz to 3.5GHz, and will be run by the National Telecommunications and Information Administration and the Federal Communications Commission, with input as needed from the Office of Science and Technology.

New bill calls for inventory of US spectrum.

Radio23 Information Services #68

Decision Due April 2. What’s it going to be, Bunky? RBR

Sprint announces Next U.S. Markets to Experience Sprint 4G

WBEB-FM, a top tier Adult Contemporary station, took down its Internet stream

Last.fm Flips To Fee Model Outside US, UK, Germany

IM Is Coming To MySpace Hypebot

Comcast, Cox join RIAA antipiracy campaign cnet

Radio23 Information Services #67

Cadillac rolls out in-car Internet access cnet

Apple and AT&T Sued (again) Over 3G Speed DailyWireless

How Sprint Leads Transformation towards 4G Services, Plan WiMAX Handset Wimax.com

SXSW: Should Radio Stations Pay Recording Artists? wired

Turn a Vintage Radio into a Wi-Fi Internet Radio lifehacker

Call letter origins

From Michael Leddy in Orange Crate Art:

You may listen to a radio station daily, but do you know what its call letters really mean? If not, try Call Letter Origins. Charming and no doubt occasionally fanciful bits of lore abound therein.

Some of my favorites:
CFLC: "Canada's Finest Little Community" (Brockville, Ontario).
KAND: Wolf Brand Canned Chili (Corsicana, Texas).
WLBB: "We Love Butter Beans" (Carrollton, Georgia). A Judge Tisinger, the station's first owner, liked his beans.
WMBD: "World's Most Beautiful Drive" (Peoria, Illinois). That drive would be Peoria's Grandview Drive.
WPLJ: "White Port and Lemon Juice" (New York, New York). I know that one from the Mothers of Invention recording of "WPLJ."

I'm surprised to learn that New York's WMCA (home of the Good Guys of my musical youth) is named for the Hotel McAplin, the station's first home. And New York's WOR? "World of Radio." These stations all survive (CFLC as CFJR), most of them programming the syndicated stuff one can hear up and down the dial. (What dial?)

Radio23 Information Services #66

A future in which free internet radio services are ubiquitous in cars and cellphones CNN

Comcast: Mobile WiMAX this Summer in Portland Daily Wireless

SXSWi's party scene goes do-it-yourself cnet

Latest Pandora Pairing: Vudu Set Top Box... Digital Music News

How To Pretend You're At SXSW Hypebot

Radio23 Information Services #65

ABC Radio Networks and Radiolicious have signed an agreement for streaming over smartphones. RadioInk

Corgan testisfies for Performance Rights Act SunTimes

An iPod So Small Its Controls Are Found on the Cord NYTimes

SLACKER LAUNCHES SXSW CHANNEL

Connect to the WiFi while you're @ SXSW

OPEN CALL: Giant Ear)))_Fantastic Places

Sound designers and sound artists are often asked to create realistic sonic environments for places that they've never experienced. This requires some serious shapeshifting and mindbending skills. For this month's Giant Ear))) we would like to celebrate these skills by requesting the truly fantastical. Please send in: (Option 1) A piece composed for a place that you may never be able to go to physically as a person. Altering the sound to convince listeners of the place is encouraged. Or (Option 2) Send in a recording/composition of yourself actually in an actual fantastic place. Fantastic! Please send your field-recording based work as an MP3 (via e-mail, FTP or www.sendspace.com) to Andrea Williams at lemurz66@yahoo.com By April 2, 2009. "Fantastic Places," hosted by Andrea Williams and Edmund Mooney, will be webcast on free103point9 Online Radio 7-9 p.m. in April on Sunday (date TBA). Giant Ear))) is the New York Society for Acoustic Ecology's weekly, two-hour radio show webcasting recordings of the NYC soundscape, (wo)man-on-the-street public interest interviews, live on-site sound explorations, special guests, and more. New show updated each month, show airs weekly Sundays at 7 p.m.

Les Nessman, can you spare a band-aid?

The radio stunt with the worst outcome since the staff at WKRP tossed turkeys out the window to celebrate Thanksgiving in Cincinnati:

From Carol Slezak in the Chicago Sun-Times:

The goal was for ESPN 1000 to help Hawthorne Race Course celebrate 100 years of Carey family ownership. Nothing wrong with that. But then two hosts of the station's ''Afternoon Saloon'' show agreed to act like jockeys and race thoroughbreds. Bad idea. After falling from his horse twice Friday, one of the hosts spent the weekend in an intensive-care unit with bleeding on his brain. Talk about a promotional stunt gone wrong.

''I'm banged up, bruised and dizzy,'' Harry Teinowitz said Monday. ''My short-term memory is shot, and I have a crappy week [of healing] ahead of me. But I consider myself lucky.''

The first time Teinowitz fell, he was still in the paddock. The guy who was helping him mount the horse noticed that he was a tad heftier than your average jockey and overcompensated, throwing him over the horse. Teinowitz landed flat on his face.

At that point he probably should have backed out of the stunt. Instead, he remounted and proceeded to race his radio partner John Jurkovic in a one-sixteenth-mile sprint. (Carmen DeFalco, the show's other host, had the good sense to decline the offer to race.) Teinowitz beat Jurkovic, but after crossing the finish line, he couldn't get his horse to slow down.

''I kept yelling, 'Stop, stop, stop,''' Teinowitz said. ''But he wasn't listening. Then he started going straight into a fence. I thought he was going to throw me onto Laramie Avenue, so I started to get off him. The next thing I remember, a medic was shining a light in my face. How dumb am I?''

Radio23 Information Services #64

Harry Fox To Deliver Payments May 15 (beware radio "archivers") Billboard

Podcast Listeners Outperform Students Who Attend The Lecture

Communities are the radio stars in the UK Ofcom.com

Music can take the pain away, study finds nowpublic.com

Facebook Sending More Traffic Than Google to Some Sites Adage

Radio23 Information Services #63

Police Bust Alleged Gang-Promoting Radio Station MSNBC

David Byrne's Survival Strategies for Emerging Artists — and Megastars Wired

Big Music Will Surrender, But Not Until At Least 2011 TechCrunch

Nielsen: Social Nets Overtake E-mail Billboard

Major Nokia Music Announcement Wednesday

FCC raids 'gang-sponsored' pirate radio station in Florida

I am surprised Boing Boing and other media outlets are taking the police at their word, when they have lied so many times in the past about stories like this. Where is the link to the station's web site? Where is proof of any kind?

From Mark Frauenfelder in Boing Boing:
On Saturday the Federal Communications Commission and the Orange County Sheriff's department raided a pirate radio station called "Street Heat" that ran ads for gangs and provided information on where to get drugs and prostitutes.

Police said 20-year-old Balthazard Senat's pirate radio station had illegally tapped into 91.3 FM. DJs behind the microphone had their own rules and regulations as they broadcasted from a bedroom at a home on 30th Street off South Orange Blossom Trail. The radio station's "Street Heat" broadcast could be heard anywhere in Orange County. Police said Senat had been cursing and using derogatory language on the air for about three months.

Soundwalkers

Soundwalkers from Raquel Castro on Vimeo.
This film by Raquel Castro includes interviews with free103point9 transmission artists Michelle Nagai and Tom Roe, as well as Executive Director Galen Joseph-Hunter, and many other terrific sound artists. The description:

There are some fundamental principles regarding the construction of an acoustically healthy society, one where we can exist within the sounds of life. Respect towards voice and words, sonic awareness, the awakening of the sense of hearing. To preserve the sounds that tend to fade out, while remaining open to the sounds that spring out of each technological stride. To build an aural idiom that interprets its own symbolism. To accept the silence, enforcing it in the due moments. And, above all else, to listen.

Radio23 Information Services #62

Beleaguered Radio Industry Faces Rocky Path Ahead Billboard

Pitchfork.tv Teams Up With NPR Music Pitchfork

Free Wi-Fi Won't Kill Sirius XM Fool.com

The Music Industry's New Internet Problem Businessweek.com

Clearwire Confirms Launch of Additional Markets Wimax.com

2009 Distribution Grant for New York State Artists recipients announced

The Distribution Grant for New York State Artists is available from free103point9 through a regrant from New York State Council on the Arts' Electronic Media and Film Program. Grant awards assist artists in making film, video, sound, new-media, and media-installation works available to public audiences. New to the Distribution Grant this year, successful grantees are also awarded the opportunity to work with a project mentor. Twelve projects were selected from a total of 105 proposals by a peer panel review process.

2009 Grantees:

Melis Birder, The Visitors

Melis Birder’s documentary video “The Visitors” chronicles the experience of families of the incarcerated as they travel by bus from NYC to upstate New York every weekend to visit prisoners. The Distribution Grant award will be used to organize and moderate special interest screenings of the film for this and similar communities.

Jim Finn, The Juche Idea

Jim Finn’s experimental narrative film “The Juche Idea” examines the relationship between communism and filmmaking with humor and irony. The Distribution Grant award will aid in the production of promotional materials, DVDs, and an HD screening copy of the film.

David Galbraith, lgOpre

David Galbraith’s sound and digital animation installation “lgOpre” uses algorithms to control abstract visual patterns and vinyl record samples. The Distribution Grant award will be used to produce a new edition of the work, a high-quality documentation of the installation, and a press kit to aid in further exhibitions.

Tamara Gubernat, Rezoning Harlem

Tamara Gubernat’s documentary “Rezoning Harlem” follows residents of Harlem as they attempt to prevent real estate investors from displacing vital places and people in the community. The Distribution Grant award will be used toward website development, community screenings, and educational outreach to promote the activist message of the film.

Japanther, Japanther in (3-D)

Japanther’s book and DVD project “Japanther in (3-D)” documents the noise band’s interactive rock opera, a PERFORMA 07 Commission, which creates a multi-sensory experience designed to initiate social and political change. The Distribution Grant award will be used to design and produce materials for the book and accompanying DVD as a record of the event.

Sawako Kato, Nijika

Sawako Kato's video, sound, and light installation "Nijika" creates an immersive environment that combines urban and natural phenomena to create a contemplative space. The Distribution Grant award will support a Booklet and DVD documenting the installation.

LoVid, Wirefull Interventions

LoVid’s audio/video installation and participatory performance “Wirefull Interventions” explores the relationships between biological, environmental, and electric signals with artist-designed synthesizers. The Distribution Grant award will aid in the production of a distribution document containing schematics relevant to the piece and in the creation of an exhibition version of the installation.

Erik Moskowitz and Amanda Trager, Cloud Cuckoo Land

Erik Moskowitz and Amanda Trager’s video installation “Cloud Cuckoo Land” portrays a family’s problematic move to a contemporary commune. The Distribution Grant award will be used to produce promotional materials and a catalog that includes a preview DVD covering the project in various incarnations to help secure future exhibitions of the piece.

Yoruba Richen, Promised Land

Yoruba Richen’s documentary video “Promised Land” explores land reform and the rebuilding of post-apartheid South Africa. The Distribution Grant award will aid in the development of a related website, and to create educational and outreach materials for a screening and forum to be held at the Iziko SA Museum in Cape Town.

Todd Rohal, The Guatemalan Handshake

Todd Rohal’s feature narrative film “The Guatemalan Handshake” follows the surreal series of events resulting from the disappearance of demolition derby driver Donald Turnipseed (portrayed by Will Oldham). The Distribution Grant award will be used toward the film’s website and to produce and distribute DVDs of the film.

Amie Siegel, DDR/DDR

Amie Siegel's film "DDR/DDR" is a portrait of East Germany as a contested site of memory, history and identity. The Distribution Grant award will aid in the distribution of the film, including the creation of DVDs and promotional materials

Landon Van Soest, Good Fortune

Landon Van Soest’s documentary “Good Fortune” explores the impact of foreign aid in developing countries via intimate portraits of three individuals in Kenya. The Distribution Grant award will aid in the development of a website to provide users information about the film, similar cases, and ways to get involved.


2009 Review Panelists:

Kathleen Forde (Curator, Time Based Arts at EMPAC)
Mark Elijah Rosenberg (Founder and Artistic Director of Rooftop Films)
Shannon Sindelar (Managing and Programming Director Ontological Theater, member of 31 Down Radio Theater)
Helen Thorington (Co-director Turbulence, a project of New Radio and Performing Arts, Inc. aka Ether-Ore)


Special thanks and acknowledgement are expressed to Penny Duff for her work as Distribution Grant Assistant throughout the 2009 application period.


More Information Contact:
Galen Joseph-Hunter
Executive Director
free103point9
gjh@free103point9.org

Radio23 Information Services #61

The pirates' view of pirate radio BBC

What's Next After Skittles.com? AdAge

Amazon to Sell E-Books for Apple Devices NYTimes

Embrace of technology could help break cycle of warfare MSNBC

Winamp Ready For Relaunch Billboard

Start-up offers alternative to subscription TV CNET

WGXC

free103point9's community radio station for Greene and Columbia Counties in New York has a name: WGXC. It stands for Greene and Columbia, or the x is for transmitting, or it can mean what you want. Read more about the project here.

Radio23 Information Services #60

Pirate radio 'puts lives at risk' BBC

Half a billion mobile TV subscribers predicted by 2013 Brodcast Engineering

iTunes To Roll Out Indie Exclusives from Touch and Go, Stone's Throw, Nettwerk, and Barsuk Billboard

Spotify Claims 1 Million Users in 2 weeks Billboard

Twitter and iPhone help find lost skier cnet

Mobile broadband: Looking good

By Sam Churchill at Daily Wireless

A number of market researchers and industry organizations are crunching the 2008 industry numbers this week and guessing what the broadband wireless market will look like in 2009 (and beyond). Wireless broadband technology will be able to withstand the current economic downturn says the WiMAX Forum. They estimate at least 100 more operators will launch commercial services this year. The Forum says WiMAX now covers 430 million people (POPS), globally and are on a path to nearly double to 800 million people by end of 2010 and explode to 18 million by 2012. In-Stat forecasts LTE will have 23 million subscribers by 2013, but nearly 82 million mobile PCs with WiMax will ship in 2013. The forum expects for WiMAX to continue to capitalize on its head start on LTE. Still, Dr. Mohammad Shakouri, the forum’s VP of marketing, said, “Due to the financial situation, the growth rate of deployments will slow down. Everyone is watching their cash.”

Shakouri questions the willingness of companies to invest in LTE because of the current economic downturn, reports RCR Wireless. He said WiMAX does not face this issue because investments have already been made in the technology. Shakouri is hopeful that money set aside for broadband deployments in the $787 billion American Recovery and Reinvestment Act can help jump start WiMAX operators. Congress has set aside $7.2 billion for telecom-related programs, with $6.39 billion to be doled out in grants and loans to promote broadband in rural areas that don’t have access to the technology or are underserved. So far, Mobile WiMAX is being offered in just two cities, Baltimore and Portland, Ore. On March 5th, Clearwire will announce which cities will be added next in the United States. Another nine cities are expected to roll out this year. According to research firm In-Stat, WiMAX will continue to outpace LTE over the next few years and the technologies will take different paths. Verizon Wireless is expected to launch LTE commercially sometime next year but most operators will wait until 2011 or 2012.

Radio23 Information Services #59

Make ISPs, wireless carriers pay for broadcasting rights: Sirius (Canadians Rule!) from CBC

Virgin Megstore Union Square (and San Francisco), RIP from Brooklyn Vegan

Labels size up Web 2.0 music services from Cnet

LinkedIn Skyrockets as Job Losses Mount from Ad Age

How NPR Stays on Air as Sun Blanks Sat Transmission from Wired

OPEN CALL: Filmer la Musique festival

The call for entries for the third edition of the Filmer la Musique is open. It is a music/film festival in Paris, with a strong focus on independent and innovative productions. The festival will take place at the Point Ephemere - an independant art center and music venue and in a new international production center Le CentQuatre, from June 9 to 14, 2009. Documentaries, fictions, raw rushes, phone films, indie videos, and live footage are all applicable. There are no restrictions regarding shooting format, length, or year of production. Deadline for the call for entries is March 15, 2009. Info, rules and submission form on http://www.filmerlamusique.com.